From THE MANIFEST — closing Act II

The Bolt of the Old Door

An original prose poem

What is handed down will not fold — small, and iron, and warm from the last palm.

The river has run south twelve thousand years. It does not know your name, and would not keep it if it did. The land above it is older than its flags — five of them, folded and unfolded, each sure it was the last. A flag is only a language laid over a country; the land answers to neither. It counts in rain. In the salt an abuela works into the corner of the masa. In the dark of a kitchen, the held breath before the comal catches.

What is handed down will not fold. Not the title — there was a title, a king’s hand, earth and water promised in ink gone the brown of old blood. Not the deed: real, taken, won back, taken again. What is handed down is small and iron and warm from the last palm — a pasador, the bolt of a door long since burned, worn smooth by years of closing. A father pressed it into a boy’s hand the night Villa took the city by coal-light, and said only Sigue. No mires atrás, hijo. Then the smoke. His hand. Your hand. The same hand.

You carry what has no papel. Mezcal that is the smoke of the same fire your bisabuela cooked over. The accordion leaning into the third of a minor key — a corrido does not end, it is set down, picked up by whoever is left with breath. Orange blossom. Diesel. One wind. Your name in a grandmother’s mouth, the r held, the vowels given their full length, the way English never will.

The dead do not leave the table. They pass the salt. They are also under it — bone in the ground the paper calls yours, the only deed that held; somewhere down there, a skull already shaped like your face. Tear the bread: your grandfather’s hands are inside your hands, the blood in them already old — the iron in that blood is the iron in the rail, in the river at dusk, in the bolt warm in your fist. Everyone who ever crossed is crossing now.

A doorway. The last of the light. Someone holds you whose people also walked out of one country into the smoke of the next — and the holding runs back, hand over hand, to the first who stood where the volcano was still throwing fire at the sea, who looked, and went.

So. Keep going. The bolt is still warm. The river is still south. The land does not count in flags, and neither will you. Count in rain. In the salt at the corner of the mouth. In ash. In bone. In who is still here to be touched — then reach, and pass it. Your hand. Theirs. Sigue. Do not look back. The crossing is not over; the crossing was never going to be over. You are not the one who reaches the far bank. You are the bolt of the old door. You do not lock it. You hold it open.

Signature of Vicente Gabriel Flores